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- Camille Hickman, Associate Casting Director for |
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headshot photographers in New York City."
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| Says Anita Guerrera, Casting director for the Jordan, McGrath, Case & Taylor advertising agency. "However she does it, whether it's by relaxing people or her use of lighting, she seems to have an ability to catch people in a candid moment when they are relaxed and their eyes, which have to communicate 90 percent of the personality, have a bright and alert look to them even if the person is not smiling." |
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and catch a lot of spontaneity. That's why every one's eyes are so alive and awake. A flash makes it really difficult for people to feel at ease. They're sitting there with a smile thinking, 'Okay, when is she going to take the picture, 'then there's the flash, and they think, 'Phew it's done.' "The way I shoot,"she continues, "it's a succession." |
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| about posing," says Dauk."But it's not like that at all; it's doing and being. Actors are really at home with doing and being because that's what they do on stage, and it's what I'm trying to do with my head shots." --Jinsey, Backstage/Headshot Annual |
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| - Jill Charles/Backstage |
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We can really judge the presence and spontaneity of the performer!"
( Of Broadway Musical fame "The Producers","Rent", "Les Miserables", etc. ) |
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Read The Annual Headshot Issue in Back Stage Featuring
Jinsey |
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